2001
DOI: 10.1353/pew.2001.0013
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Inspiration and Expiration: Yoga Practice Through Merleau-Ponty's Phenomenology of the Body

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Cited by 48 publications
(52 citation statements)
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“…Participants also noted their levels of fitness during rehabilitation in terms of their proprioceptive feelings of 'hidden' subcutaneous processes (Morley 2001) such as kinaesthesis and feeling the blood 'flow'. This re-emphasises the incompatibility with some elements of these data with approaches that focus upon the mask, or outwards appearance of the ageing body (Featherstone and Hepworth 2005); in this case, ageing and illness were considered subcutaneous and invisible.…”
Section: Resultsmentioning
confidence: 99%
“…Participants also noted their levels of fitness during rehabilitation in terms of their proprioceptive feelings of 'hidden' subcutaneous processes (Morley 2001) such as kinaesthesis and feeling the blood 'flow'. This re-emphasises the incompatibility with some elements of these data with approaches that focus upon the mask, or outwards appearance of the ageing body (Featherstone and Hepworth 2005); in this case, ageing and illness were considered subcutaneous and invisible.…”
Section: Resultsmentioning
confidence: 99%
“…Samudra (2008) portrays kinaesthetic experiences in Silat Bangau Putih, a Chinese-Indonesian self-defense and health system. Morley (2001) examines yoga practice utilising Merleau-Pontian constructs and drawing comparisons between the practice of yoga and phenomenology itself, including epochē/bracketing (see below). Addressing sports and physical activity more generally, Hockey and AllenCollinson (2007) explore the sensory dimension of the sporting body, applying Merleau-…”
Section: Introductionmentioning
confidence: 99%
“…It is therefore not only our eyes, ears, noses, and our taste buds which connect our inside bodies and minds to the outside world but also our lungs, adding breathing as an important focus for sensorial anthropology. While Morley (2001) frames breathing as a medium, Ingold (2010) frames air as a medium. I consider, in line with Ingold, that air is the medium and breathing the mechanism through which the outside environment is embodied.…”
Section: Breathless Sensation As Environmental Embodimentmentioning
confidence: 99%