Inside Bickle's Brain: Scorsese, Schrader, and Wolfe on Psychological Realism

Blake, Richard A.

doi:10.1080/01956051.2017.1293604

Cited by 3 publications

(1 citation statement)

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“…For twenty years in a row, he worked for his reputation, discovered new talents, found actors and fought with studios. As a result, actors and studios are now eager to get the opportunity to participate in his film projects (Blake, 2017).…”

Section: Resultsmentioning

confidence: 99%

art of director, screenwriter, and actor Martin Scorsese as an author's cinematography model

Pogrebniak¹,

Boiko

Iudova-Romanova

et al. 2021

lingcure

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Martin Scorsese is an outstanding contemporary director, who strongly influenced the artistic and aesthetic foundations of American (authors’ in particular) cinematography of the 19th–20th centuries He was and remains one of the outstanding creators who shaped the aesthetics of the “New Hollywood” cinematography. In the period from 1917 to the early 1960s, there was a paradigm of “classic Hollywood”, in which films were produced according to the dominant aesthetic, genre and narrative formulas, the characters represented themselves as specific typical images with understandable motivations for the general public. Martin Scorsese is a representative of cinematography, who changed classical views of film art. That is why the study of Martin Scorsese's work remains relevant for researchers in the field of cinematography and culture to the present day. The purpose of this work is to study the creativity of director, screenwriter and actor Martin Scorsese, as well as to identify the author's style in the artist's work, determine his author's handwriting and manner. The methodology of this research is based on theoretical methods of scientific knowledge, in particular, the method of information analysis and synthesis, the cultural method, as well as historical and comparative methods were used.

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Section: Resultsmentioning

confidence: 99%