Abstract:O objetivo do trabalho é analisar a estrutura da indústria cinematográfica brasileira e o papel das políticas públicas dirigidas ao setor no período de 1995 a 2012. O estudo identifica as empresas atuantes nos diferentes elos da cadeia produtiva - produção, distribuição e exibição - e utiliza os índices de concentração CR(4), CR(8) e o índice Hirschman-Herfindahl (HHI) para caracterizar a estrutura de mercado em cada uma das etapas do processo produtivo. Entre os resultados encontrados, destaca-se que: i) a es… Show more
“…Por um lado, pesquisas mostram que os nós que entram na rede de filmes de maneira precoce podem acumular vantagens que os favorece frente aos demais (Faulkner & Anderson, 1987). Os nós pioneiros tendem a formar mais laços (Faulkner & Anderson) e esse capital social confere status (Rossman, Esparza, & Bonacich, 2010), dá acesso à informação (de primeira mão) sobre o anúncio de novos projetos de filmes (Faulkner & Anderson), sobre recursos financeiros e técnicos (Michel & Avellar, 2014) e sobre preferência na distribuição de filmes (Sorenson & Waguespack, 2006). Mais frequentemente, os nós que possuem status elevado são indicados para o Oscar (Rossman et al).…”
This study analyzes the network evolution, specifically that of the Brazilian film network. It examines two generative mechanisms that lie behind the network evolution: preferential attachment and fitness. The starting point is that preferential attachment and fitness may compete to shape the network evolution. We built a novel dataset with 974 Brazilian feature films released between 1995 and 2017 and used PAFit, a brand-new statistical method, to estimate the joint effects of preferential attachment and fitness on the evolution of the Brazilian film network. This study concludes that the network evolution is shaped by both preferential attachment and fitness. However, in the presence of fitness, the effects of preferential attachment on the network evolution become weaker. This means that the node ability to form ties in the Brazilian film network is mainly explained by its fitness. Besides, the preferential attachment assumes a sub-linear form. Costs, communication and managerial capabilities, and node age explain why nodes are unable to accumulate ties at rates proportional to their degree. Finally, preferential attachment and fitness manifest themselves heterogeneously, depending on either the type or the duration of the network. Preferential attachment drives the cast network evolution, whereas fitness is the main generative mechanism of the crew network. Actors and actresses rely on their status, privilege, and power to obtain future contracts (preferential attachment), whereas technical members are selected on the basis of their talent, skills, and knowledge (fitness). Due to node age or exit, preferential attachment becomes stronger in shorter networks.
“…Por um lado, pesquisas mostram que os nós que entram na rede de filmes de maneira precoce podem acumular vantagens que os favorece frente aos demais (Faulkner & Anderson, 1987). Os nós pioneiros tendem a formar mais laços (Faulkner & Anderson) e esse capital social confere status (Rossman, Esparza, & Bonacich, 2010), dá acesso à informação (de primeira mão) sobre o anúncio de novos projetos de filmes (Faulkner & Anderson), sobre recursos financeiros e técnicos (Michel & Avellar, 2014) e sobre preferência na distribuição de filmes (Sorenson & Waguespack, 2006). Mais frequentemente, os nós que possuem status elevado são indicados para o Oscar (Rossman et al).…”
This study analyzes the network evolution, specifically that of the Brazilian film network. It examines two generative mechanisms that lie behind the network evolution: preferential attachment and fitness. The starting point is that preferential attachment and fitness may compete to shape the network evolution. We built a novel dataset with 974 Brazilian feature films released between 1995 and 2017 and used PAFit, a brand-new statistical method, to estimate the joint effects of preferential attachment and fitness on the evolution of the Brazilian film network. This study concludes that the network evolution is shaped by both preferential attachment and fitness. However, in the presence of fitness, the effects of preferential attachment on the network evolution become weaker. This means that the node ability to form ties in the Brazilian film network is mainly explained by its fitness. Besides, the preferential attachment assumes a sub-linear form. Costs, communication and managerial capabilities, and node age explain why nodes are unable to accumulate ties at rates proportional to their degree. Finally, preferential attachment and fitness manifest themselves heterogeneously, depending on either the type or the duration of the network. Preferential attachment drives the cast network evolution, whereas fitness is the main generative mechanism of the crew network. Actors and actresses rely on their status, privilege, and power to obtain future contracts (preferential attachment), whereas technical members are selected on the basis of their talent, skills, and knowledge (fitness). Due to node age or exit, preferential attachment becomes stronger in shorter networks.
“…Besides, network pioneers tend to form more relationships (Faulkner & Anderson). Such a social capital confers status (Rossman, Esparza, & Bonacich, 2010), access to first-hand information about the announcement of film projects (Faulkner & Anderson), technical and financial resources (Michel & Avellar, 2014), and preference for distributing films (Sorenson & Waguespack, 2006). High-status nodes are also nominated for Oscars more frequently (Rossman et al).…”
Section: Research Settingmentioning
confidence: 99%
“…According to Gatti, "from this year on [2015], the participation of the national production will be steadier about the number of released films per year and market share" (p. 121). Also of note, Michel and Avellar (2014) and Rocha et al (2018), who analyze the Brazilian film industry from a relational standpoint, take 1995 as the starting point of the analysis.…”
This study analyzes the network evolution, specifically that of the Brazilian film network. It examines two generative mechanisms that lie behind the network evolution: preferential attachment and fitness. The starting point is that preferential attachment and fitness may compete to shape the network evolution. We built a novel dataset with 974 Brazilian feature films released between 1995 and 2017 and used PAFit, a brand-new statistical method, to estimate the joint effects of preferential attachment and fitness on the evolution of the Brazilian film network. This study concludes that the network evolution is shaped by both preferential attachment and fitness. However, in the presence of fitness, the effects of preferential attachment on the network evolution become weaker. This means that the node ability to form ties in the Brazilian film network is mainly explained by its fitness. Besides, the preferential attachment assumes a sub-linear form. Costs, communication and managerial capabilities, and node age explain why nodes are unable to accumulate ties at rates proportional to their degree. Finally, preferential attachment and fitness manifest themselves heterogeneously, depending on either the type or the duration of the network. Preferential attachment drives the cast network evolution, whereas fitness is the main generative mechanism of the crew network. Actors and actresses rely on their status, privilege, and power to obtain future contracts (preferential attachment), whereas technical members are selected on the basis of their talent, skills, and knowledge (fitness). Due to node age or exit, preferential attachment becomes stronger in shorter networks.
“…Mesmo assim, o mercado do cinema, longe de ser um produto massificado, não apresenta ligação entre o público e o tipo de produto ofertado. O consumo apresenta preferência exercida em favor do produto norte--americano de uma forma absurdamente elevada (Michel;Avellar, 2014).…”
Section: Caracterização Do Ambiente Da Pesquisaunclassified
ResumoEsta pesquisa objetivou identifi car o modelo atual da produção do setor audiovisual, considerando as atividades de TV, vídeo e cinema, no
AbstractThis research aimed to identify the current model of production of the audiovisual sector, considering the TV activities, video and fi lm, in the state of Rio Grande do Sul, applying the model of Triple Helix, due to declines in public and private investment, which moved the state to 11th position in this sector in the creative industry. Using a qualitative approach, the exploratory study used in-depth interviews with semi-structured applied to actors in the audiovisual production sector between industry spheres, government and university, from the perspective of innovation. The fi nal results indicated that the audiovisual sector in the state of Rio Grande do Sul, can't be considered an innovation system, but your industry model is in the process of evolution, from a combination of previous models, statesman and part laissez-faire tending to the model of the theory of Triple Helix. Point is, opportunities for future work.
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