2020
DOI: 10.1177/0142723720946553
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Individual differences in narrative production in late childhood: Associations with age and fiction reading experience

Abstract: Narrative production draws upon linguistic, cognitive and pragmatic skills, and is subject to substantial individual differences. This study aimed to characterise the development of narrative production in late childhood and to assess whether children’s cumulative experience of reading fiction is associated with individual differences in narrative language skills. One-hundred-and-twenty-five 9- to 12-year-old children told a story from a wordless picture book, and their narratives were coded for syntactic, sem… Show more

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Cited by 6 publications
(5 citation statements)
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“…Although day-to-day exposure to such utterances is grounded in social interaction and conversation, we note again the utility of books not only for providing situations that naturally invite such conversational exchange, but also for providing greater exposure to the rich linguistic forms themselves. Dyer et al (2000) concluded that the text of books for 3- to 6-year-olds is laden with mental-state language: emotional, cognitive, and evaluative content words used in complex sentences with verbs such as “feel,” “think,” “want,” and “know.” Over time, this rich input provides opportunity to build and communicate knowledge about the psychological world; 9- to 12-year-olds who use more mental-state terms in their own narratives have stronger language skills (Hamilton et al, 2021), and they also read more fiction. These findings complement the various associations between fiction reading, emotion processing, empathy and theory-of-mind processing reported in the adult literature (e.g., Oatley, 2016; Schwering et al, 2021).…”
Section: Beyond Language and Literacymentioning
confidence: 99%
“…Although day-to-day exposure to such utterances is grounded in social interaction and conversation, we note again the utility of books not only for providing situations that naturally invite such conversational exchange, but also for providing greater exposure to the rich linguistic forms themselves. Dyer et al (2000) concluded that the text of books for 3- to 6-year-olds is laden with mental-state language: emotional, cognitive, and evaluative content words used in complex sentences with verbs such as “feel,” “think,” “want,” and “know.” Over time, this rich input provides opportunity to build and communicate knowledge about the psychological world; 9- to 12-year-olds who use more mental-state terms in their own narratives have stronger language skills (Hamilton et al, 2021), and they also read more fiction. These findings complement the various associations between fiction reading, emotion processing, empathy and theory-of-mind processing reported in the adult literature (e.g., Oatley, 2016; Schwering et al, 2021).…”
Section: Beyond Language and Literacymentioning
confidence: 99%
“…The Why (sub-)components were not significantly correlated with the children's IQ scores in our sample. Previous research has found that incorporation of these elements (explanatory and interpretative clauses about character motivations and causality) within narrative retellings is related to children's age and sociocognitive development in later childhood (Genereux and McKeough, 2007;Nicolopoulou and Richner, 2007;Colletta et al, 2010;Pavias et al, 2016;Hamilton et al, 2020). In order to talk about the whys of the story presented to them, children are required to both comprehend and infer a number of implicit story details and then construe them mentally and linguistically to make them accessible to their narrative audience.…”
Section: Discussionmentioning
confidence: 99%
“…When constructing a story, young children struggle to effectively incorporate important details about the who, what, where, when, why, and how of a story . The reason for this appears to be manifold: It may be due to limited event knowledge or understanding of causal and temporal relations and still-developing linguistic (i.e., grammatical and lexical) skills (Colletta et al, 2010;Hamilton et al, 2020). In this respect, the ability to express temporal and causal sequencing in a more differentiated way depends on the complexity of linguistic means available to the speaker (Veneziano and Nicolopoulou, 2019).…”
Section: Narrative Developmentmentioning
confidence: 99%
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“…In addition to the greater importance of the script and content material in our theater performances, the actor's basic skills and on-stage play are the soul of a theater performance, and the actor's play often plays a vital role in the effectiveness of the performance. Actors must use unique narrative language and scenarios to express the emotions and personalities of different characters, making the performance more vivid and dynamic (Hamilton et al, 2021). In addition, traditional Chinese theater performances require actors to control their facial expressions flexibly, and actors must convey the character qualities and mood states expressed by the characters through different faces and facial expressions (Mack, 2021).…”
Section: Introductionmentioning
confidence: 99%