2003
DOI: 10.1037/0033-295x.110.4.683
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Incremental planning in sequence production.

Abstract: People produce long sequences such as speech and music with incremental planning: mental preparation of a subset of sequence events. The authors model in music performance the sequence events that can be retrieved and prepared during production. Events are encoded in terms of their serial order and timing relative to other events in a planning increment, a contextually determined distribution of event activations. Planning is facilitated by events' metrical similarity and serial/temporal proximity and by devel… Show more

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Cited by 127 publications
(203 citation statements)
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References 128 publications
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“…Palmer & Baldwin, 2004). Other research has likewise suggested that strongly accented metrical positions attract attention (Large & Jones, 1999) and act as salient points in memory (Palmer & Krumhansl, 1990;Palmer & Pfordresher, 2003). If, as these results suggest, strong metrical accents function as stable points in music, performers may be less sensitive to the influence of auditory feedback when evaluating instruction cues that are positioned on strong beats.…”
Section: Resultsmentioning
confidence: 85%
“…Palmer & Baldwin, 2004). Other research has likewise suggested that strongly accented metrical positions attract attention (Large & Jones, 1999) and act as salient points in memory (Palmer & Krumhansl, 1990;Palmer & Pfordresher, 2003). If, as these results suggest, strong metrical accents function as stable points in music, performers may be less sensitive to the influence of auditory feedback when evaluating instruction cues that are positioned on strong beats.…”
Section: Resultsmentioning
confidence: 85%
“…Such demands are plausible; the memory of serial order is critical to the representation and production of musical sequences (e.g., Palmer & Pfordresher, 2003), and so musical processing might draw particularly heavily on the ability to maintain and update representations involving serial order. Note that music might be even more demanding on working memory updating than language, for example.…”
Section: Discussionmentioning
confidence: 99%
“…In favor of this idea, Reeves, Schmauder, and Morris (2000) showed that stress patterns in serial recall stimuli can induce specific grouping strategies (see also Frankish, 1995). Even more to the point, Palmer and Pfordresher (2003) showed that, in music performance, 17 In some cases, the present model could apparently be applied directly to further phenomena: for instance, item frequency or suffix effects. In others, a more elaborate implementation would clearly be needed.…”
Section: Groupingmentioning
confidence: 99%