Increased payloads with liquid apogee motors /LAMS/

Boretz, J. E.; Macklis, H.

doi:10.2514/6.1978-943

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Compose Yourself!1

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2019

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“…"Lovejoy" is in the process of being composed (and hence is a form of improvisation). It is music, about music, and about being about music ("an utterance within, a view about" 33 ). My subjectivity is also in a process of being composed through my experience of reading it-my relationship with "Lovejoy" is affective, composed of imperceptible or barely perceptible affective forces impinging upon and constituting my emergent subjectivity, sliced through by moments of radical "aha!"…”

Section: Compose Yourself!mentioning

confidence: 99%

Deterritorialize Yourself! (Four Meta-Musical Vignettes for John Rahn)

Stover¹

2019

Perspectives of New Music

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MADE MY FIRST DEEP DIVE INTO BOTH Deleuze and Guattari and J.K. Randall's work at around the same time, and through the same source: John Rahn's seminars on analytical personae and critical theory at the University of Washington in the mid-2000s. It was also in one of these seminars that I first began thinking seriously about how one might go about critically, analytically, theoretically, and politically engaging musical improvisation, as well as, more generally, how to think musically: that is, how to make thinking about music be more like music. 1 In order to clarify this last point, we might read four statements of John's alongside one another:

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Section: Compose Yourself!mentioning

confidence: 99%

Deterritorialize Yourself! (Four Meta-Musical Vignettes for John Rahn)

Stover¹

2019

Perspectives of New Music

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Increased payloads with liquid apogee motors /LAMS/

Cited by 1 publication

References 0 publications

Deterritorialize Yourself! (Four Meta-Musical Vignettes for John Rahn)

Deterritorialize Yourself! (Four Meta-Musical Vignettes for John Rahn)

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