In Caves, in Ruins: Place as Archive at the Happy Days International Beckett Festival

McTighe, Trish

doi:10.1080/10486801.2017.1405391

Contemporary Theatre Review

2018

DOI: 10.1080/10486801.2017.1405391

|View full text |Cite

In Caves, in Ruins: Place as Archive at the Happy Days International Beckett Festival

Trish McTighe¹

Abstract: Where a licence is displayed above, please note the terms and conditions of the licence govern your use of this document.When citing, please reference the published version. Take down policyWhile the University of Birmingham exercises care and attention in making items available there are rare occasions when an item has been uploaded in error or has been deemed to be commercially or otherwise sensitive.

Help me understand this report

Search citation statements

Order By: Relevance

Paper Sections

Select...

Citation Types

Supporting

Mentioning

Contrasting

Year Published

2020

2023

Publication Types

Select...

Other2

Relationship

Self Cite0

Independent2

Authors

Journals

Cited by 2 publications

References 1 publication

Supporting

Mentioning

Contrasting

Order By: Relevance

Experimental Beckett

Johnson

Heron

2020

View full text Add to dashboard Cite

How do twenty-first century theatre practitioners negotiate the dynamics of tradition and innovation across the works of Samuel Beckett? Beckett's own tendencies toward fluidity of genre, iteration/repetition, and collaboration – modes that also define the 'experimental' – allow for greater openness than is often assumed. Reading recent performances for creative uses of embodiment, environment, and technology reveals the increasingly interdisciplinary, international, and intermedial character of contemporary Beckettian practice. The experimentation of current practitioners challenges a discourse based on historical controversies, exposing a still-expanding terrain for Beckett in performance.

show abstract

Experimental Beckett

Johnson

Heron

2020

View full text Add to dashboard Cite

show abstract

Carnivals of Ruin

McTighe

2023

View full text Add to dashboard Cite

Beckett's work is somewhat out of step with the logic of commemoration and celebration. Festival, with its association with celebration, spectacle, and publicity, would not seem the ideal vehicle for Beckett's work. Yet that work has become highly festivalised, and the incongruities between it and festival forms provide a useful basis from which to examine both Beckett as festivalised commodity and festivals themselves. Festivalising Beckett in Ireland might be characterised as a way of bringing him back home, as well as a way of returning him to the canonical fold - he showed little interest in either during his later years, it need hardly be added. This Element examines Beckett's dissidence in the face of these imperatives of nation, home and the canon, utilising Beckett's work in festival contexts to highlight in the negative the nature of the festival form and to critique the festivalisation of culture.

show abstract

scite is a Brooklyn-based organization that helps researchers better discover and understand research articles through Smart Citations–citations that display the context of the citation and describe whether the article provides supporting or contrasting evidence. scite is used by students and researchers from around the world and is funded in part by the National Science Foundation and the National Institute on Drug Abuse of the National Institutes of Health.

Contact Info

hi@scite.ai

10624 S. Eastern Ave., Ste. A-614

Henderson, NV 89052, USA

Blog Terms and Conditions API Terms Privacy Policy Contact Cookie Preferences Do Not Sell or Share My Personal Information

Made with 💙 for researchers

Part of the Research Solutions Family.

In Caves, in Ruins: Place as Archive at the Happy Days International Beckett Festival

Cited by 2 publications

References 1 publication

Experimental Beckett

Experimental Beckett

Carnivals of Ruin

Contact Info

Product

Resources

About