2022
DOI: 10.1016/j.obhdp.2021.104116
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Implicit impressions of creative people: Creativity evaluation in a stigmatized domain

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Cited by 14 publications
(13 citation statements)
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“…Abstract Paintings. Unlike Hughes et al ( 2022), who used Chinese ideographs, we used a set of 80 abstract paintings created by Katz et al (2022) as targets on the AMP. In line with the logic of the AMP procedure, these images were evaluatively ambiguous (see Mann et al, 2019;Study 3A).…”
Section: Methodsmentioning
confidence: 99%
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“…Abstract Paintings. Unlike Hughes et al ( 2022), who used Chinese ideographs, we used a set of 80 abstract paintings created by Katz et al (2022) as targets on the AMP. In line with the logic of the AMP procedure, these images were evaluatively ambiguous (see Mann et al, 2019;Study 3A).…”
Section: Methodsmentioning
confidence: 99%
“…On each trial of the AMP, two stimuli are presented in rapid succession, first a prime and then a target. The primes are the focal stimuli of interestthey could be anything from a face to a sports team logo to a social group label -, whereas the targets are evaluatively neutral stimuli, such as Chinese ideographs (for non-Chinese speakers; Payne et al, 2005), inkblots (Williams & Steele, 2017), or computer-generated abstract paintings (Katz et al, 2022). Participants are instructed to rate the pleasantness of the target stimuli while avoiding any biasing influence of the primes.…”
mentioning
confidence: 99%
“…Abstract Images. Instead of the Chinese ideographs used in Experiment 1, 80 computergenerated images were used as target stimuli on the AMP (Katz et al, 2020). Of these 80 images, each participant was presented with a randomly selected subset of 40 on the AMP.…”
Section: Methodsmentioning
confidence: 99%
“…Although creativity is ostensibly valued, expressing creative ideas can draw criticism (Staw, 1995;Mueller, Melwani, & Goncalo, 2012). Thus, creativity requires the willingness to diverge from existing solutions in a novel direction, even if doing so might be socially controversial (Amabile, 1996;Goncalo & Staw, 2006;Mok & Morris, 2010;Shalley & Zhou, 2008;Shalley, Zhou, & Oldham, 2004;Katz, Mann, Shen, Goncalo, & Ferguson, 2022). Power is often defined as the control of valued resources over others (Keltner, Gruenfeld, & Anderson, 2003;French & Raven, 1959) and feeling powerful has been found to liberate people from the influence of others (Galinsky et al, 2008).…”
Section: Effect Of Power On Creativity Over Timementioning
confidence: 99%