“…Beginning with an examination of the dense set of intercolonial relations that emerged across southern settler colonial spaces, we subsequently provide an account of the methodological developments that inform our hemispheric approach to the literary cultures of the southern colonies. We gesture, too, towards the kind of shared themes and genres that closer attention to a “southern archive” of literary productions from colonial Australia, New Zealand, and South Africa can illuminate — an archive that includes, among other genres and forms, several hundred settler novels and several thousand works of serialized periodical fiction (Bode, 2018: 7, 11), ballads and bush poetry, drama and melodrama, travel writing, periodical writing, and diaries and correspondence, as well as a wide range of diasporic and Indigenous cultural productions, from traditional oral, performance, and material cultures, to imaginative writing such as poetry and hymns, to writing engaging with various forms of “imperial literacy” such as petitions, letters, and journalism (Banivanua Mar, 2013). Our aim in this instance is not to provide a general overview of literary scholarship on the nineteenth-century settler colonies or to outline in any detail the literary productions of various groups or national canons across time and space.…”