2021
DOI: 10.1080/17439884.2021.1952428
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Immersive virtual reality (VR) for digital media making: transmediation is key

Abstract: The rapid evolution of virtual reality (VR) technologies and their adoption for learning opens up new possibilities for shifting semiotic content across modes, with underexplored scope for transmediating content in visual, haptic, and auditory ways in immersive media literacy practices. This research investigated users' creative digital designing involving a popular, three-dimensional virtual painting program with upper elementary students who used a VR head mounted display and sensors. The analysis attended t… Show more

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Cited by 31 publications
(24 citation statements)
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“…The interaction and interplay of semiotic modes, often described as intersemiosis (Royce, 1998;O'Halloran 2008), result in a multiplication of meanings (Lemke 1998). The intermodal relations, such as image-text relations (Liu and O'Halloran 2009;Unsworth 2001;2013), and languagegesture relations (Martinec 2004;Hood 2011;Lim 2021b), and transmediation (Mills 2011;Mills and Brown 2021) have been the topic of study for many scholars working in multimodal studies. Of particular interest is the concept of "transduction" (Kress 2010) and "transmodal transformation" (Newfield 2014) which have been used in multimodal studies to examine shifts or resemiotization (Iedema 2003) in meanings across different modes.…”
Section: A Pedagogic Metalanguage Of Transpositionmentioning
confidence: 99%
“…The interaction and interplay of semiotic modes, often described as intersemiosis (Royce, 1998;O'Halloran 2008), result in a multiplication of meanings (Lemke 1998). The intermodal relations, such as image-text relations (Liu and O'Halloran 2009;Unsworth 2001;2013), and languagegesture relations (Martinec 2004;Hood 2011;Lim 2021b), and transmediation (Mills 2011;Mills and Brown 2021) have been the topic of study for many scholars working in multimodal studies. Of particular interest is the concept of "transduction" (Kress 2010) and "transmodal transformation" (Newfield 2014) which have been used in multimodal studies to examine shifts or resemiotization (Iedema 2003) in meanings across different modes.…”
Section: A Pedagogic Metalanguage Of Transpositionmentioning
confidence: 99%
“…It was interesting to note that while there was unanimous consensus regarding the positive influence of I-VR on learning and understanding, the students were unclear as to how I-VR “tricked” the brain into creating the illusion of spatial parity (Mills and Brown 2021 ). In essence, the quality of the simulation was sufficient to not cause students to “reject” the illusion and potentially not engage meaningfully.…”
Section: Resultsmentioning
confidence: 99%
“…VR technologies offer different affordances for embodied writing and multimodal communication, distinguished from previous forms of virtual technology with the advent of HMDs that have become prominent since 2013 (Jensen & Konradsen, 2018). These affordances account for multimodal and sensorial ways of interacting with sophisticated, three-dimensional virtual environments and objects, orchestrating vision, sound, haptics (touch to interact with the environment), and head and body movements, in fully immersive environments—which differs from being seated at a computer screen as an observer of one’s avatar in a virtual world (Mills & Brown, 2021; Minogue & Jones, 2006).…”
Section: Multimodal Communication and Vr Representationmentioning
confidence: 99%
“…Expanding repertoires of digital media practices are now required by users of all ages, for youth and beyond (Sefton-Green & Erstad, 2017), which now includes meaning making in virtual reality (VR) contexts. VR technologies offer new potential for users to engage in immersive multimodal communication practices within and across virtual and material spaces, which remain underresearched (Henriksen et al, 2021) and which have unexplored implications for communication using novel forms of sensory-motor engagement (Mills & Brown, 2021). Multimodal refers to the combination of two or more semiotic modes or cultural means of representation, such as images, sounds, words, or body movements (Mills et al, 2018), and it is in the relationships between co-present modes that the “expressive power of multimodality resides” (Hull & Nelson, 2005).…”
Section: Introductionmentioning
confidence: 99%