“…It was this which established the framework within which the exhibition and its most famous exhibit, a painting which represents a gathering of artists and other friends of Vernet in the studio itself, have generally been interpreted, notably in a comprehensive and well-informed article by Nina Athanassoglou-Kallmyer. 4 As Chaudonneret points out, however, it is more likely that this painting was undertaken in a spirit if self-advertisement than as a protest work. It was originally intended for exhibition at the Salon, and it contains a portrait of Forbin himself.…”