2013
DOI: 10.1179/0308018813z.00000000062
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Imagining Otherwise: Autism, Neuroaesthetics and Contemporary Performance

Abstract: Perspectives on the phenomenology of the autistic experience are presented with particular reference to the imagination in autism and what may be conceptualized as 'neurodivergent aesthetics'. Drawing upon a research project that explored the potential of drama as an 'intervention' in autism, an attempt is made to de-mythologize the condition by challenging stereotypes and by suggesting that the multimodalities of performance offer an appropriate space for 'encounters' with autistic states of being while also … Show more

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Cited by 13 publications
(5 citation statements)
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“…This art paradigm provides an index of intuitive processing that accords with experts, rather than being errorful. Shaughnessy (2013) describes a 'neurodivergent aesthetic' whereby, for people who feel like 'outsiders', the appeal of certain artworks might lie in their capacity to inspire a fantasy of participation. As such, art appreciation is revealed, not as a peripheral supplement to human experience, but as a privileged medium of human contact (c.f.…”
Section: Discussionmentioning
confidence: 99%
“…This art paradigm provides an index of intuitive processing that accords with experts, rather than being errorful. Shaughnessy (2013) describes a 'neurodivergent aesthetic' whereby, for people who feel like 'outsiders', the appeal of certain artworks might lie in their capacity to inspire a fantasy of participation. As such, art appreciation is revealed, not as a peripheral supplement to human experience, but as a privileged medium of human contact (c.f.…”
Section: Discussionmentioning
confidence: 99%
“…Asperger (1944) also observed this heightened understanding of art in autistic children compared to normal children. Shaughnessy (2013) talked about neurodivergent aesthetic to speak about relation between autism and art.…”
Section: Iii) Asd and Creativitymentioning
confidence: 99%
“…Disse forestillinger giver således familier, hvor ASF-diagnosen tidligere har afholdt dem fra at tage i teatret, muligheden for, at de nu kan få en teateroplevelse sammen (Viswanathan 2015). I England har professor Nicola Shaughnessy ved University of Kent i Canterbury i en årraekke ledet et forskningsprojekt, som undersøger potentialet i at udvikle specifikke performative oplevelser for børn med ASF (Shaughnessy 2013). Forskningsprojektet arbejder udbredt målgruppeorienteret, og det er specielt dette tiltag sammen med initiativerne i New York og London, som I kapløb med tiden er blevet inspireret af hen imod skabelsen af en vaerkramme tilpasset børn med ASF.…”
Section: Målgruppenunclassified
“…Via brugen af en performativ vaerkramme til en forestilling målrettet børn med ASF laegger vi os i forlaengelse af forskningstiltaget Imagining Autisme (herefter IA) på University of Kent i Canterbury ledet af professor Nicola Shaughnessy (Shaughnessy 2013). Gennem performative rum, hvor børn med ASF frit kan interagere med rummets aestetiske og sansestimulerende aktiviteter, har IA undersøgt og bevist, hvordan interaktive former for performance med fordel kan henvende sig til de tre områder af funktionsforstyrrelser.…”
Section: Vaerkrammens Visuelle Dimensionunclassified