Abstract:While Greeks called the ecstatic musical mode ‘Phrygian’, there is no evidence of high-arousal musical performances in Phrygia, and the musical characteristics of this mode were distinctively Greek. The image of wide-ranging excited celebrations practised in Phrygia seems to have existed only in the imagination of the Greeks and Romans. This paper suggests that the uneasiness felt by some Greeks facing high-arousal cults was assuaged by attributing them foreign origin, which was often fictitious. By culturally… Show more
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