2013
DOI: 10.1093/acprof:oso/9780199343539.001.0001
|View full text |Cite
|
Sign up to set email alerts
|

Illicit Worlds of Indian Dance

Help me understand this report

Search citation statements

Order By: Relevance

Paper Sections

Select...
1
1
1
1

Citation Types

0
8
0

Year Published

2015
2015
2023
2023

Publication Types

Select...
5
4
1

Relationship

0
10

Authors

Journals

citations
Cited by 39 publications
(8 citation statements)
references
References 0 publications
0
8
0
Order By: Relevance
“…In fact, the Bharatiya Bar Girls Union, the largest Indian trade union of bar dancers set up in the year 2004, has been vociferously asserting just that. 148 There is one important difference between the times of the anti-nautch campaign and the recent legislative attacks on bar dancing. It is that the devadasis could not fight back against the British and the anti-nautch campaigners.…”
Section: Parallels Between the Suppression Of Sadir In The Colonial Period And The Prohibition Of Bar Dancing In Twenty-first Century Mahmentioning
confidence: 99%
“…In fact, the Bharatiya Bar Girls Union, the largest Indian trade union of bar dancers set up in the year 2004, has been vociferously asserting just that. 148 There is one important difference between the times of the anti-nautch campaign and the recent legislative attacks on bar dancing. It is that the devadasis could not fight back against the British and the anti-nautch campaigners.…”
Section: Parallels Between the Suppression Of Sadir In The Colonial Period And The Prohibition Of Bar Dancing In Twenty-first Century Mahmentioning
confidence: 99%
“…Thus, most of the feminist debate on ban on the dance bars, while cognizant of the large presence of women of DNT and nomadic communities among the dancers does not take any special note of this fact and treats the entire problem within the broader rubric of Dalit women and their sexual/erotic labour (see, e.g., Dalwai, 2013; Gopal, 2012; Pandit, 2013). Others like Morcom (2014) see them within the rubric of ‘entertainers and performers’. Most of these works treat the existence of these women in the bar dance as being in continuity with the performing traditions in these communities.…”
Section: Relations With Other Communities and Gender Questionsmentioning
confidence: 99%
“…Anna Morcom (2014) analyses the process of social exclusion, loss of status and livelihood of the hereditary female performers in colonial and post-colonial India. She illustrates how the sociopolitical scenario of colonial India considered female performers as prostitutes rather than performers.…”
Section: Introductionmentioning
confidence: 99%