2015
DOI: 10.1179/0261434014z.000000000111
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Il Posizionamento Del Verbo Nei Dialetti Romanzi D’italia

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Cited by 5 publications
(6 citation statements)
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“…4–8) concludes that finite verb movement in Modern Romance can target a wide variety of head positions within a richly articulated Tense‐Aspect‐Mood field (cf. also Schifano on Italo‐Romance).…”
Section: Background Aims and Methodsmentioning
confidence: 97%
See 1 more Smart Citation
“…4–8) concludes that finite verb movement in Modern Romance can target a wide variety of head positions within a richly articulated Tense‐Aspect‐Mood field (cf. also Schifano on Italo‐Romance).…”
Section: Background Aims and Methodsmentioning
confidence: 97%
“…Consider (33) which patterns with the other texts in featuring the adverb puis , alongside the examples in (34) which differ in that the adverbials are operative at the VP‐level (cf. Cinque : 47; Schifano ; Ledgeway in press c):…”
Section: Old French Si – Continuity and Variationmentioning
confidence: 99%
“…142-52;Ledgeway and Lombardi 2005, pp. 103-6;Schifano 2015Schifano , 2018. At the macro level, there are some broad similarities in the distribution of V-movement across Romance, inasmuch as all varieties appear to show some degree of raising (though for Brazilian Portuguese, see Tescari Neto 2013, 2020a, 2020b, 2022a, 2022bTescari Neto and Pataquiva 2020;Araújo-Adriano 2020, 2022, 2023, a view widely reported in the literature since Pollock's (1989) and Belletti's (1990) seminal contrastive studies of English, French and Italian (cf.…”
Section: Introductionmentioning
confidence: 94%
“…Consequently, at a micro level, we can observe considerable variation across Romance (cf. Schifano 2015Schifano , 2018Ledgeway and Schifano 2022), both synchronically and diachronically (cf. Ledgeway and Schifano 2023), in terms of the role of factors such as finiteness (Groothuis 2020(Groothuis , 2022 and mood (Ledgeway 2009a(Ledgeway , 2022bLedgeway and Lombardi 2014), ultimately leading Schifano (2018) to relate such variation to the 'paradigmatic instantiation' of aspect, tense and mood in individual Romance varieties.…”
Section: Introductionmentioning
confidence: 99%
“…140-50;Ledgeway 2020;Forthcoming;Lombardi 2005, pp. 103-6, 2014;Schifano 2015Schifano , 2018Ledgeway and Schifano Forthcoming). For example, in Gallo-Romance varieties, such as Milanese (21a) and in Alguerès (21b), the finite verb raises to a clause-medial position within the T-domain from where it precedes all lower adverbs, such as ALWAYS, and many higher adverbs.…”
Section: Verb Movement In Realis and Irrealis Contextsmentioning
confidence: 99%