Abstract:Featuring a conversation with the artist, this essay offers a reading of Amina Ross's aesthetic practice across a selection of their work. Alongside Fred Moten's own critique of the overrepresentation of blackness as death-driven, it highlights their ongoing contributions to what they refer to as “black work,” or aesthetic experimentations in making multiple forms of blackness appear and emerge in the present moment. For Ross, the present is not merely a death-driven end but, at once, a rigid structure and a “… Show more
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