2020
DOI: 10.1017/s1355771819000463
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Idiomatic Patterns and Aesthetic Influence in Computer Music Languages

Abstract: It is widely accepted that acoustic and digital musical instruments shape the cognitive processes of the performer on both embodied and conceptual levels, ultimately influencing the structure and aesthetics of the resulting performance. In this article we examine the ways in which computer music languages might similarly influence the aesthetic decisions of the digital music practitioner, even when those languages are designed for generality and theoretically capable of implementing any sound-producing process… Show more

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Cited by 19 publications
(8 citation statements)
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“…Sonar is just one of the powerful computing software in the computer, which has more information about music creation and also provides a broader platform for musicians to show themselves; they only need to copy, paste, and other simple operations by clicking the mouse to create music, they do not need to imagine the music performance, tone, etc., and then modify it again and again; the new way of music creation has greatly changed the way of composers in the past. The new way of composing music has greatly changed the way composers used to compose [14].…”
Section: Related Workmentioning
confidence: 99%
“…Sonar is just one of the powerful computing software in the computer, which has more information about music creation and also provides a broader platform for musicians to show themselves; they only need to copy, paste, and other simple operations by clicking the mouse to create music, they do not need to imagine the music performance, tone, etc., and then modify it again and again; the new way of music creation has greatly changed the way of composers in the past. The new way of composing music has greatly changed the way composers used to compose [14].…”
Section: Related Workmentioning
confidence: 99%
“…This article discusses the development of such a framework and the creation of a new toolkit for live coding in the Pure Data (Pd) programming language, which is a visual language used for creating real-time interactive media (Puckette 1996). McPherson and Tahıroğlu (2020) point out that all music technology systems afford idiomatic practices. Following Heidegger (1977), such affordances are widely acknowledged as a principle of technological thinking and practice.…”
Section: Introductionmentioning
confidence: 99%
“…Mcpherson and Tahıroglu studied the ways in which computer music language may also affect the aesthetic decision-making of digital music practitioners, with particular attention to the concept of habituation. en, he communicated with developers of several major music-programming languages, and conducted surveys on creators of digital musical instruments, examining the relationship between idiomatic patterns of the language and the characteristics of the generated instruments and music, but the research lacks data support [2]. In this article, Hayes introduces the large-scale project of sound, electronics, and music.…”
Section: Introductionmentioning
confidence: 99%