<i>Τὰ ἐναετία γλυπτὰ του̑ ναου̑ του̑ Ἀπόλλωνος Δαϕνηϕόρου στὴν Ἐρετρίᾳ</i>. By Evi Touloupa.

Touloupa, Evi; Frel, Jiri

doi:10.2307/504575

American Journal of Archaeology

1984

DOI: 10.2307/504575

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Τὰ ἐναετία γλυπτὰ του̑ ναου̑ του̑ Ἀπόλλωνος Δαϕνηϕόρου στὴν Ἐρετρίᾳ. By Evi Touloupa.

Evi Touloupa¹,

Jiri Frel²

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1995

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“…A red-figure psykter of the late sixth century, now in the J. Paul Getty Museum (Figs. 1-2), depicts a gathering of young athletes and other youths, mos tly grouped into pairs with more or less explicitly erotic overtones (Frel, 1983:).' M ost are labelled, and many of the names are familiar from kalosinscriptions on other vases of the period: Ambrosios and Euthydikos; Hegerthos and Andriskos; Melas and Antias.…”

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Literacy and social status of archaic attic vase-painters.

Shapiro

1995

Rev. Mus. Arqueol. Etnol.

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In recent years, new evidence has led some scholars to question the traditional view of Athenian potters and painters as banausoi of low social status whose lives seldom if ever intersected with those of the aristocracy (Keuls, 1989: 149-67). The evidence pertains mainly to the generation of the red-figure pioneers, who are excepcional in their strong sense of identity and self-conscious reference to each other and to their patrons. Their meeting ground was the symposium. The presente paper focuses on an earlier period, the mid-sixth century, and on certain vase inscriptions that suggest not only a high degree of literacy on the part of the painter, but also a familiarity with several genres of sympotic and other poetry. These metrical inscriptions, some on otherwise modest vases and not previously collected, attest to the pervasiveness of the “song culture” of Archaic Greece described by J. Herington (1985). These and other examples imply that the social structure of Early Archaic Athens, in the wake of Solon’s reforms, was not a rigidly stratified one, but rather artisans mixed freely with aristocrats, often joined through their shared tastes for poetry and song.

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confidence: 99%

Literacy and social status of archaic attic vase-painters.

Shapiro

1995

Rev. Mus. Arqueol. Etnol.

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Τὰ ἐναετία γλυπτὰ του̑ ναου̑ του̑ Ἀπόλλωνος Δαϕνηϕόρου στὴν Ἐρετρίᾳ. By Evi Touloupa.

Cited by 1 publication

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Literacy and social status of archaic attic vase-painters.

Literacy and social status of archaic attic vase-painters.

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