2013
DOI: 10.1080/13696815.2013.767192
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The Athlete: a movie about the Ethiopian barefooted Olympic champion

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Cited by 3 publications
(3 citation statements)
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“…Unlike the earlier marathon runner docudrama/biopic about Haile Gebreselasie, Endurance (1998), released before cinema-going underwent a renaissance in Ethiopia in 2002, The Athlete was screened for a limited duration in Matti Multiplex in Addis Ababa to positive reviews soon after its completion in 2009. In fact the film was favourably reviewed both in Ethiopia and during its tour of international film festivals and limited release in cinemas in Europe and America prior to the 2012 London Olympics (see Thomas, 2013;Ashagrie 2013). This in itself is a notable feat as later 'festival films' such as Difret (2014) and Lamb (2015) were unable to build on the limited success The Athlete achieved in Addis Ababa.…”
Section: Contesting Contexts Of Production and Receptionmentioning
confidence: 99%
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“…Unlike the earlier marathon runner docudrama/biopic about Haile Gebreselasie, Endurance (1998), released before cinema-going underwent a renaissance in Ethiopia in 2002, The Athlete was screened for a limited duration in Matti Multiplex in Addis Ababa to positive reviews soon after its completion in 2009. In fact the film was favourably reviewed both in Ethiopia and during its tour of international film festivals and limited release in cinemas in Europe and America prior to the 2012 London Olympics (see Thomas, 2013;Ashagrie 2013). This in itself is a notable feat as later 'festival films' such as Difret (2014) and Lamb (2015) were unable to build on the limited success The Athlete achieved in Addis Ababa.…”
Section: Contesting Contexts Of Production and Receptionmentioning
confidence: 99%
“…This in itself is a notable feat as later 'festival films' such as Difret (2014) and Lamb (2015) were unable to build on the limited success The Athlete achieved in Addis Ababa. 3 Despite this, however, The Athlete was only briefly screened in Ethiopia and according to Aboneh Ashagrie (2013), this was because the film was not suited to the commercial conditions underpinning the Amharic film industry. A serious sports biopic seemed to present a great gamble for exhibitors often beholden to short-term financial constraints that were more likely to be met by screening the latest films associated with tried and tested local genres and featuring local stars.…”
Section: Contesting Contexts Of Production and Receptionmentioning
confidence: 99%
“…Bikila and Ethiopia are inextricably tied together. He is recreated as a saintly person: extremely humble, modest, patient, very polite and a family man (Ashagrie, 2013). The world particularly Ethiopian got a lesson and follows the foot step of him from his Olympic participation.…”
Section: Introductionmentioning
confidence: 99%