Abstract:Postracial utopias in twentieth- and twenty-first-century American culture are marked by paradoxes in which racial categories continue to signify, as many scholars have observed. Extending these approaches to late eighteenth-century France, when utopian thinkers dreamed of abolishing categories of “color” and “blood,” this article focuses on the 1798 play Tenais and Zeliska. A utopian vision of a South Asian kingdom in which phenotype and lineage no longer serve as markers of identity, and in which prejudice h… Show more
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