Abstract:My essay will examine how two nineteenth-century Bengali adaptations of Hamlet negotiate the Shakespearean text and try to re-configure its approach towards politics and the private mind. The two Bengali plays in question are (i) Nanda-bangshochchhed ("The Destruction of the Nanda Dynasty"; published 1873) by Lakshminarayan Chakraborty, a text that was sparingly staged and is yet to gain adequate recognition as a case of Shakespearean appropriation; and (ii) Hariraj by Nagendranath Chaudhury ( first staged in … Show more
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