“MyBusiness is to Sing”: Emily Dickinson's Musical Borrowings

Abstract

The daily musical activities of poet Emily Dickinson (1830-86)-home performances at the piano, collecting sheet music, and attending concerts-provided a vital and necessary backdrop for her emerging artistic persona. Dickinson's active musical life reveals a great deal about the cultural offerings available to a woman of her time, place, and class. Moreover, her encounters with the music-making of the Dickinson family servants and the New England hymn tradition encouraged artistic borrowings and boundary crossings that had a deep and continuing influence on her writing. Through her engagement with music, Dickinson was able to fashion an identity served by musical longings, one that would ultimately serve a vital role in the formation of her unique poetic voice.Emily Dickinson's intense love of music and nature is regularly encountered in many of her most beloved poems. 1 Her verse and her correspondence consistently display a musical familiarity and authority that has been well documented by Dickinson