2001
DOI: 10.1111/1467-9655.00051
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Kesum‐body and the places of the gods: the politics of children’s masking and second‐world realities in OKU (cameroon)

Abstract: As emerging nation-states in sub-Saharan Africa engender warfare and rapid socio-political change that increasingly affect children, this article examines the ways in which child masking may represent a means for children in Oku, a kingdom in the Cameroon Grassfields, to incorporate references to exogenous forms of modernist violence in their fantasy-play. The means by which children overcome their fear of adult masks and the forest spirits they represent by becoming maskers themselves is first examined. Two n… Show more

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Cited by 20 publications
(14 citation statements)
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References 41 publications
(13 reference statements)
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“…Warnier and Argenti, for example, both stress the power of material culture in shaping the self/subject. The former stresses the process of subjectivation in relation to bodily conducts‐cum‐material culture (Warnier ; ; ; ), while the latter underscores performance and embodied social memory (Argenti ; ; ; ; ). Both authors alike privilege the non‐discursive aspects of social life and suggest that there is a continuity, as far as the ‘structural’ position of subaltern categories (women, children, and social cadets) is concerned, between the precolonial, the colonial, and the postcolonial eras (Warnier ; ).…”
Section: Aspects Of ‘Grassfields Personhood’mentioning
confidence: 99%
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“…Warnier and Argenti, for example, both stress the power of material culture in shaping the self/subject. The former stresses the process of subjectivation in relation to bodily conducts‐cum‐material culture (Warnier ; ; ; ), while the latter underscores performance and embodied social memory (Argenti ; ; ; ; ). Both authors alike privilege the non‐discursive aspects of social life and suggest that there is a continuity, as far as the ‘structural’ position of subaltern categories (women, children, and social cadets) is concerned, between the precolonial, the colonial, and the postcolonial eras (Warnier ; ).…”
Section: Aspects Of ‘Grassfields Personhood’mentioning
confidence: 99%
“…As Argenti has noticed, in the Grassfields the earth is a ‘womblike second world in which the deceased are in a state of gestation’ (: 307 n. 15; also Argenti ). Communities may provide people to the earth, but the earth provides people back to the world.…”
Section: From Gender Complementarity/hierarchy To the ‘Cooking’ Of Chmentioning
confidence: 99%
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“…In the North West Province of Cameroon, far to the south of Tupuriland, Nicholas Argenti (1998Argenti ( , 2001) examines dance performances by youth in Oku. In one case, he shows that the modernist aesthetic of dancers (tracksuits and military gear) belies a strong continuity with earlier masquerade forms in which symbols of 'wild foreign' power (bush animals, European military might, and later Cameroonian gendarmes) are appropriated and transformed in the context of dance.…”
Section: Power To Remake Society: Youth Performance In Africa and Elsmentioning
confidence: 99%
“…Besides being otherworldly (see subsequent sections) (Argenti 2001 and2011 for Oku;Diduk 2001 for the Kedjom), neonates in the Cameroon Grassfields are also considered androgynous (Tsékénis 2015: 340-341). Up to the age of approximately eight or nine Batié boys and girls perform both 'male' and 'female' work.…”
Section: Introductionmentioning
confidence: 99%