2013
DOI: 10.1080/01439685.2013.847651
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‘I Just Feel It’s Important to Know Exactly What he Went Through’:In Their Footstepsand The Role of Emotions in Australian Television History

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Cited by 22 publications
(3 citation statements)
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References 16 publications
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“…It is these broader issues that we turn to in this discussion section. Arrow (2013, 2015) offers useful insights into the Anzac revival. She includes the influence of film and television, the growth in genealogy, new understandings of war and war trauma and the new nationalism of the late twentieth century.…”
Section: Discussionmentioning
confidence: 99%
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“…It is these broader issues that we turn to in this discussion section. Arrow (2013, 2015) offers useful insights into the Anzac revival. She includes the influence of film and television, the growth in genealogy, new understandings of war and war trauma and the new nationalism of the late twentieth century.…”
Section: Discussionmentioning
confidence: 99%
“…Arrow (2013, 2015) suggests that the rise in genealogy and popularity of television programmes such as Who Do You Think You Are ? and In their footsteps may have influenced the popularity of war history.…”
Section: Discussionmentioning
confidence: 99%
“…I did not expect the sort of story I would like to tell about Australia's experience of WWI -one that included women's perspectives and dealt explicitly with the trauma, grief and social divisiveness of war -would ever make it to our screens. I was painfully aware, as my provisos about emotional sensitivity were designed to show, that, as historian Michelle Arrow has pointed out, 'the contemporary allure of war in the popular historical consciousness [is] partly the product of a conservative political environment' (Arrow: 2013). I assumed that my concept would frighten the horses at the ABC.…”
mentioning
confidence: 99%