I gruppi politici romani nel III secolo a. C.

Salmon, E. T.; Cassola, Filippo

doi:10.2307/293520

Cited by 4 publications

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“…e. 2-ben átadott Augustus-forumon, a római történelem legkiválóbb alakjai közt (summi viri) felállított szobra is jelzi. 23 Elogiumát töredékesen találták meg a területen, de szövege nagy valószínűséggel helyesen rekonstruálható egy Arretiumból (a mai Arezzóból) származó másolat alapján (F. 35), ami minden bizonnyal az eredeti, Garzetti (1996), 19-62, Staveley (1959), , Cassola (1962), 102-107 és 120-159, Suolahti (1963), Palmer (1965), Ferenczy (1967), Treggiari (1969), 37-64, Wiseman (1979), 55-139, MacBain (1980, Bauman (1983), 21-66, Develin (1985), 215-224, Cornell (1989), 391-319 és (1995), 373-377, Linke (2000, Humm (2001Humm ( ), (2005, Walter (2004), Oakley (2005), 350-372 és 665-677, Beck (2005), 159-187, Ungern-Sternberg (2006), Richardson (2012), 26-33. Bővebb szakirodalmi listára lásd, Cornell (1995), 468. 12. j., Oakley (2005), 350-351, Humm (2005, 15-39.…”

Section: Appius Claudius Caecus éPítkezéseiunclassified

A római nemzetségek emlékezete

Jármi¹

2019

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Section: Appius Claudius Caecus éPítkezéseiunclassified

A római nemzetségek emlékezete

Jármi¹

2019

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The Politics of Public Space in Republican Rome

Russell

2015

122

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Taking public space as her starting point, Amy Russell offers a fresh analysis of the ever-fluid public/private divide in Republican Rome. Built on the 'spatial turn' in Roman studies and incorporating textual and archaeological evidence, this book uncovers a rich variety of urban spaces. No space in Rome was solely or fully public. Some spaces were public but also political, sacred, or foreign; many apparently public spaces were saturated by the private, leaving grey areas and room for manipulation. Women, slaves, and non-citizens were broadly excluded from politics: how did they experience and help to shape its spaces? How did the building projects of Republican dynasts relate to the communal realm? From the Forum to the victory temples of the Campus Martius, culminating in Pompey's great theatre-portico-temple-garden-house complex, The Politics of Public Space in Republican Rome explores how space was marked, experienced, and defined by multiple actors and audiences.

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The Tradition of the Spolia Opima: M. Claudius Marcellus and Augustus

Flower¹

2000

Classical Antiquity

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This paper aims to reexamine how traditions about the spolia opima developed with special emphasis on two crucial phases of their evolution, the time of Marcus Claudius Marcellus' dedication in 222 BC and the early years of Augustus' principate, following the restoration of the temple of Jupiter Feretrius on the Capitol. In particular, I will argue that Marcellus invented the spolia opima, that his feat shaped the entire tradition about such dedications, and that this tradition was later enhanced and "reinvented" by Augustus, probably following upon renewed interest under Julius Caesar. Through an evaluation of the surviving evidence about the three canonical dedicators (Romulus, A. Cornelius Cossus, and Marcellus) the possibility is explored that the spolia opima, rather than being an archaic ritual dating back to the regal period, represent a tradition invented (and reinvented) by specific individuals at certain well-defined moments in Roman history. Augustus himself, beginning while he was still a child, was influenced by traditions about the career and achievements of M. Claudius Marcellus. Augustus' interest in Marcellus helps to explain his special focus on the spolia opima as a significant and hallowed Roman tradition. Consequently, in the late first century B.C., spolia opima were associated both with old-fashioned "republican" aspirations and also with the iconography and self-definition of the new ruling family. In this context other leading Romans of the age considered dedicating such spolia, notably M. Licinius Crassus, grandson of the triumvir, and the elder Drusus, brother of Tiberius. In addition, Virgil included the spolia opima as a recurring theme in the second half of the Aeneid. The poem reaches its climax when Aeneas kills his rival Italian leader Turnus in a duel which would have entitled him to dedicate spolia opima.

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I gruppi politici romani nel III secolo a. C.

Cited by 4 publications

References 0 publications

A római nemzetségek emlékezete

A római nemzetségek emlékezete

The Politics of Public Space in Republican Rome

The Tradition of the Spolia Opima: M. Claudius Marcellus and Augustus

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