Abstract:This article describes the challenges the Restoration Comedy Project team have had to face regarding the creation and applicability of genre labels in their online database and printed catalogues of the comedies produced between 1660 and 1682. Those challenges have had largely to do with the intrinsic difficulty of classifying literary works by genres and, even more, by subgenres; and also with the lack of previous scholarly consent about the taxonomy of types of comedy. They have to deal as well with the gene… Show more
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