Abstract:This essay details the implications of focusing on the forest as a point of figuration and analysis for a world literature emanating from English-, French-, and Spanish-language work on the Caribbean. Of primary interest are two instances of meta- and paratextual comment on forests in the South: André Breton and André Masson's Martinique: Charmeuse de serpents and Alejo Carpentier's uses of José Martí and Wifredo Lam in his prologue to El reino de este mundo. Though Carpentier is known for his rejection of Bre… Show more
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