“…Critics have charged that traditional workshop pedagogy's emergent (McCarthey, 2007) or expressivist (Faigley, 1986;Snaza & Lensmire, 2006) theory of composition ignores cultural and political dimensions of classroom interaction and writing for an audience. A pedagogy built around giving students freedom over how they reveal themselves in writing does not adequately account for how strongly the classroom writing environment is mediated by, among other things, teacher norms for acceptable writing (McCarthey, 1994) and social relations among students that are inflected by social status, race, and gender (Christianakis, 2010;Henkin, 1995;Lensmire, 1994;Rowe, Fitch, & Bass, 2001). In rejecting overly individualist and expressivist notions of writing, some of these critics called for a pedagogy that more strongly emphasizes peers and teachers responding to or challenging the perspectives that students express in their writing (Kamler, 2001;Lensmire, 1998).…”