Abstract:Though generally characterized as a work of gentle humor, Cranford has also been recognized by critics such as Franco Moretti, Hilary Schor, and Anna Koustinoudi as a novel about “panic,” “a place under siege, hardly alive,” one that “literally abounds in scenes/images of castration, mutilation, dismemberment and devouring.” This essay looks to account for this seeming disjunction between the genial tone of the novel and its dark undercurrents. Cranford, it argues, deploys a narrative strategy that I call the … Show more
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