Agurumyela's art of connection: Christopher Azaare's project of curating Gurensi history and culture

Abstract

This article explores the innovative and hybrid intellectual project of Christopher Azaare Anabila. Since 1976, Azaare has been documenting the histories of the Gurensi and Boosi people of northern Ghana and has crafted genealogical maps of whole villages and clans. He has written manuscripts on taboos, totems, proverbs, missionary activities, cultural institutions and anti-colonial resistance. Because of this work, people have begun to refer to Azaare as Agurumyela, which in Gurene means ‘a person who digs into people's past’. Central to this lifelong endeavour is the museum of Gurensi culture that Azaare has been building in Gowrie. I present Azaare's views of this wide-ranging process of collection and re-casting and reflect on his motivation to reclaim history and curating authority from professional academics. I argue that Azaare's project allows us to recognize the ubiquitous existence of a vibrant strand of African intellectual creativity that combines multiple repertoires and draws on overlapping and diverse productions in different modes and media. Next, I turn to Azaare's manuscript on the institution of tindaanaship (earth custodians). I explore his genealogical method as an art of connection that highlights his role as an engaged community intellectual, weaving extensive networks between Gurensi communities, officials and academics.