The synaesthetic author Vladimir Nabokov undertakes extensive consideration of the relationship between time and space, and its manifestation in human perception, throughout his fictional and autobiographical writing. The following dissertation considers this in the light time-space synaesthesia, a neurological phenomenon where time is visualized in a spatial form often external to the subject's body. Using the idea that synaesthesia exists on a continuum alongside common constructs integral to cognitive perception such as cross-modality and metaphor, these three will be explored in detail in Nabokov's work through a multidisciplinary lens incorporating literature, cognitive science, philosophy and anthropology.