Hypermedia and Ethnomusicology

Lange, Barbara Rose

doi:10.2307/852637

Ethnomusicology

2001

DOI: 10.2307/852637

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Hypermedia and Ethnomusicology

Barbara Rose Lange¹

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Cited by 7 publications

References 21 publications

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A Mysterious Island in the Digital Age: Technology and Musical Life on Ulleungdo, South Korea

Mills¹,

Park

2013

Ethnomusicology Forum

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A Mysterious Island in the Digital Age: Technology and Musical Life on Ulleungdo, South Korea

Mills¹,

Park

2013

Ethnomusicology Forum

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Unmixing the Chaos

Jules‐Rosette

Osborn

2008

Critical Interventions

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Performance Ethnography: The Theory and Method of Dual Tracking

2002

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This article explores the use of dual tracking, or digital video overlay, in performance ethnography. It proposes a reflexive approach to ethnographic filmmaking in which the ethnographic subject and videomakers work collaboratively to uncover the interior realities motivating the performance. The authors review previous approaches to ethnographic filmmaking and then suggest digital video overlay as a method of presenting the actual performances and the subjective experiences of performers simultaneously. The authors' collaborative video, Soukous in San Diego (1999), in which Congolese musician Dominic Kanza reviews his biography, rehearses, and performs concerts, is discussed. The theory of dual tracking is explained, followed by a methodological application and suggestions for future research.

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Hypermedia and Ethnomusicology

Cited by 7 publications

References 21 publications

A Mysterious Island in the Digital Age: Technology and Musical Life on Ulleungdo, South Korea

A Mysterious Island in the Digital Age: Technology and Musical Life on Ulleungdo, South Korea

Unmixing the Chaos

Performance Ethnography: The Theory and Method of Dual Tracking

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