Hugo von Hofmannsthal'sDas Märchen der 672. Nachtand the Trials of Oscar Wilde

Abstract

In this article, the author argues for a reading of Hofmannsthal's Ma¨rchen der 672. Nacht (1895) as a work that was profoundly influenced by the three trials and ultimate criminal conviction of Oscar Wilde. In addition, he asserts that the Wilde trials led Hofmannsthal to reassess the shortcomings inherent in aestheticism and, as a consequence, to reaffirm the critical importance of social engagement for the artist. 1