2011
DOI: 10.4115/jla.2011.3.8
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http://logicandanalysis.org/index.php/jla/article/viewFile/114/41

Abstract: We study Picard's Theorem and Peano's Theorem from a constructive reverse perspective. This means that we have to change our focus from global properties to local properties. We also extend the theory of pointwise continuously differentiable functions to include Rolle's Theorem, the Mean Value Theorem, and the full Fundamental Theorem of Calculus.2000 Mathematics Subject Classification 03F60, 26E40 (primary); 03F55 (secondary)

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Cited by 6 publications
(2 citation statements)
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References 20 publications
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“…We evaluated our method on six datasets, It includes three public QR code datasets (QR [10], QR code-datasets [11] , QR code-v3 [12]), and selects part of the images in these three datasets for quality reduction operations and names them QR+, QR code-datasets+, and QR code-v3+ to simulate real beams field picture.…”
Section: Datasets and Implementation Detailsmentioning
confidence: 99%
“…We evaluated our method on six datasets, It includes three public QR code datasets (QR [10], QR code-datasets [11] , QR code-v3 [12]), and selects part of the images in these three datasets for quality reduction operations and names them QR+, QR code-datasets+, and QR code-v3+ to simulate real beams field picture.…”
Section: Datasets and Implementation Detailsmentioning
confidence: 99%
“…Portanto, no campo social do teatro, as convenções emergem de negociações (e não apenas de pressões externas), sendo determinadas por indivíduos e interações com características singulares, diferenciadas de outros agrupamentos. Sobre o grupo social composto pelos atores e atrizes, em específico, Duvignaud (1972) Além disso, emprestando de Crary (2013) a ideia de que as obras de arte são objetos "fundamentais para entender os novos horizontes criativos, bem como suas restrições, produzidos por essas transformações históricas" (Crary, 2013, p. 30), entendemos os filmes como portadores não apenas de um relato histórico, mas também de um enfoque sobre fatos passados que conta a respeito das nossas limitações de observadores; uma vez que se posicionam na relação entre um sujeito observador e um campo já estabelecido de práticas de representação e "técnicas e discursos sobre a visualidade" (Crary, 2013, p. 30).…”
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