“…We need instead […] to rely on more pointed understandings of what interaction means in different contexts and at different units of analysis, and give those experiences their proper notice and place. (Palen & Bødker, 2008 (mis)quoted in the Introduction, p. 3) Kringelbach and Phillips point out that "[f]or centuries, the real experts on emotions have been novelists, poets, artists, and creators of popular entertainment" (p. 8), and a marked interest in literature and emotions has recently been observed (e.g., Carr, 2005;Hogan, 2010Hogan, , 2011Hogan, , 2018Locher & Jucker, 2021;Lyytikäinen, 2017;Robinson, 2005). Similarly, distinct attention has been paid to the relation between gender and emotions, the perceived and actual gender differences in emotion, and the ensuing stereotypes, particularly in psychology, sociology, and Gender Studies (Robinson & Johnson, 1997;Fischer, 2000;Shields et al, 2006Shields et al, , 2017Brody, 2010;Latu et al, 2013;Ruberg & Steenbergh, 2013 among others).…”