Abstract:This article uses readings of Mark Mylod's Ali G Indahouse, Joe Cornish's Attack the Block, and Chris Morris's Four Lions to argue against a political trend for laying the blame for the purported failure of British multiculturalism at the hands of individual communities. Through my readings of these comic films, I suggest that popular constructions of "community" based on assumptions about cultural and religious homogeneity are rightly challenged, and new communities are created through shared laughter. Comedy… Show more
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