“…This body of work shows how, as Taylor et al. (:866) put it, “social movements often adapt, create, and use culture—ritual, music, street theatre, art, the Internet, and practices of everyday life—to make collective claims.” Other examples include the use of “glitter bombs” in the LGBTQ movement (Galli ), singing in the 2011 Wisconsin Uprising (Paretskaya ), and street theater in AIDS activism (Gould ). Yet while these examples illustrate the performative aspect of protest clearly, we see all political acts as performance, whether they feature dramatic, eye‐catching displays or not.…”