How an improvised scene emerges in theatre rehearsal

Savijärvi, Marjo; Ihalainen, Laura

doi:10.1075/pbns.326.17sav

Cited by 2 publications

(1 citation statement)

References 28 publications

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“…It has been explored how proposals develop dialogically over sequences (Yasui, 2013), as well as how participants gradually develop mutual understandings of aesthetic concepts (Deppermann & Schmidt, 2021b). Further, research on theatre rehearsals has investigated how participants develop theatrical scenes over time (Hazel, 2018;Lefebvre, 2018;Norrthon, 2019;Savijärvi & Ihalainen, 2021). Much as over interactional histories in general, interaction in theatre rehearsals is characterized by a move from verbal instructions to embodied implementations over time (Norrthon & Schmidt, 2023; see also Deppermann & Schmidt, 2021b;Lefebvre & Mondada, 2023;Norrthon, 2019Norrthon, , 2021Schmidt & Deppermann, 2023).…”

Section: Interactional Historiesmentioning

confidence: 99%

Bodies to suit the music : Depictions in opera rehearsals

Löfgren

2023

Studies in Language and Culture

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This thesis investigates how participants in 20 hours of video-recorded scenic opera rehearsals make use of depictions (Clark, 2016), a communicative strategy based on iconicity, to create performance bodies, i.e. what the performers should do on stage to music. The method is grounded in ethnomethodologically informed conversation analysis and interactional linguistics (EMCAIL). The thesis aims to reveal how participants in opera rehearsals construct and respond to depictions, what interactional and semiotic functions depictions carry, and the nature of the relationship between depictions and descriptions, and in extension between language and the body in social interaction.The thesis comprises three individual articles. Article I focuses on how performers and the director deploy depictions in proposals of performance bodies. It is argued that depictions reference both themselves as the current state of the artwork, and prototypes of mundane behaviour (distal scenes). The article compares the self-referentiality, or introversive semiosis, of depictions with how interactional practices in general develop over time. Article II focuses specifically on how performers make proposals with depictions. The article concludes that depictions are multimodal gestalts whose interpersonal coordination reflects the distribution of deontic rights during the rehearsals in a visuospatial way, beyond the adjacency pair. Article III focuses on changes in turn design, and the relative deployment of depictions and descriptions, over joint decision-making micro-histories. It is shown how proposals move from descriptive to increasingly depictive states as the participants assure that there is displayed epistemic access to, and alignment and agreement with, the proposed performance bodies. The use of language early in the process secures conditionally relevant responses to the proposed ideas and thereby successful outcomes of proposals. The article reveals the essentially joint nature of the decision-making process on performance bodies.The thesis uncovers the temporally heterogenous nature of depictions. They are achieved in stepwise manners: both in terms of their moment-by-moment realization in turns, and in terms of their development over interactional histories. They are dialogically achieved both in the local and historical sense: their successful realization is dependent on cooperation from co-present participants who are also intrinsically involved in their development over time. Further, it is argued that depictions are both an interactional practice for creating opera performances and the very same performances at their current states. The thesis contributes to a holistic and integrated view of social interaction where no resources, whether traditionally conceived of as linguistic or not, are considered more important than others for the local constitution of social action.

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Section: Interactional Historiesmentioning

confidence: 99%

Bodies to suit the music : Depictions in opera rehearsals

Löfgren

2023

Studies in Language and Culture

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Displaying Inner Experience Through Language and Body in Community Theater Rehearsals

2023

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Using multimodal conversation analysis, we investigate how novices learning the “inner body” acting technique in the context of a community theater project share their experiences of the bodily exercises through verbal and embodied conduct. We focus on how verbal description and bodily enactment of the experience mutually elaborate each other, and how the experienced sensorimotor and affective qualities are made to be witnessed and recognized by the others. Participants describe their experiences without naming qualities. Instead, a display of the experienced qualities is made accessible to others through coordinating the unfolding talk and bodily conduct. In particular, we show how grammatical and action projection is fulfilled by interconnected verbal and embodied conduct, with body movement and posture giving off ineffable experiential qualities. The moving body appears both as a source of the experience and as a resource for depicting perceived qualities to others; additional resources (non-specific person reference and gaze aversion) contribute to organizing the subjective and intersubjective layers of the reflection of the experiences. The study contributes to and extends recent research on sensoriality in interaction by focusing on phenomena of proprioception and interoception. The data are two cases drawn from 60 h of video-recordings made in the context of a devised community theater project. The data are in Finnish with English translations.

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How an improvised scene emerges in theatre rehearsal

Cited by 2 publications

References 28 publications

Bodies to suit the music : Depictions in opera rehearsals

Bodies to suit the music : Depictions in opera rehearsals

Displaying Inner Experience Through Language and Body in Community Theater Rehearsals

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