2017
DOI: 10.1007/978-3-319-34015-9
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Hope and Wish Image in Music Technology

Abstract: part of the material is concerned, specifi cally the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfi lms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a… Show more

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Cited by 11 publications
(1 citation statement)
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“…Imagined listening as an online mode of listening is then also related to the existence of ‘unlistened’ playlists in streaming platforms, as a form of musicking that entails a sort of expected engagement of oneself and others with music, as well as our own re-evocations of musical memories (including the future evocation of those memories in live shows). Similarly, these playlists and their associated forms of imagined listening equally represent desired expectations about our personal relationships, in the same way as with previous formats such as the mixtape (Rando, 2017). This is quite explicit in the case of migrants and their desire for family or friendship togetherness, but nonetheless applicable to internet users at large as they communicate with imagined audiences.…”
Section: Ubiquitous and Silent Music Media: Imagined Listening In The...mentioning
confidence: 92%
“…Imagined listening as an online mode of listening is then also related to the existence of ‘unlistened’ playlists in streaming platforms, as a form of musicking that entails a sort of expected engagement of oneself and others with music, as well as our own re-evocations of musical memories (including the future evocation of those memories in live shows). Similarly, these playlists and their associated forms of imagined listening equally represent desired expectations about our personal relationships, in the same way as with previous formats such as the mixtape (Rando, 2017). This is quite explicit in the case of migrants and their desire for family or friendship togetherness, but nonetheless applicable to internet users at large as they communicate with imagined audiences.…”
Section: Ubiquitous and Silent Music Media: Imagined Listening In The...mentioning
confidence: 92%