Abstract:Chapter 7 discusses how far homoerotic same-sex relationships and close friendships (male and female) challenge heterosexual norms of romance. Shakespeare’s Sonnets, which explore bisexual passion, privilege love for the ‘fair youth’ above lust for the ‘dark’ mistress. In Shakespeare’s theatre the transvestite convention of a boy actor playing a girl (who then pretends to be a boy) generates same-sex desire, as when Orsino in Twelfth Night is attracted to Viola dressed as Cesario. The chapter also shows how ex… Show more
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