“…I hesitate to subscribe to the strong version of Jones's hypothesis and, instead, believe that Lucian takes aim at a specific argumentative practice in The Lover of Lies, namely making a claim of autopsy in a philosophical argument. The reason for my hesitancy is that one of Lucian's favorite comic ploys is to create incongruous scenarios, whether it be by 'juxtaposing famous figures either from vastly different time periods, cultural spheres, or both', as occurs on the Island of the Blessed in True Stories (see Kim [2010], 157), or by portraying a character type behaving completely out of character. In The Lover of Lies, Lucian seems to invent a scenario where philosophers tell the same kinds of stories that professional aretalogoi told at first-and second-century dinner parties; see Ogden (2007), 5f.…”