2007
DOI: 10.1353/rah.2007.0026
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History and Comics

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Cited by 9 publications
(5 citation statements)
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“…Traumatic memory narratives express universal values because they deal with biographical traumatic experiences, focus on victims (juxtaposed with perpetrators), and overcome local cultural boundaries thanks to the media (Levy and Sznaider 2006;Rothberg 2009). The second one concerns the progressive cultural and symbolic legitimation of comics in narrating traumatic pasts (Dauber 2006;Buhle 2007;Chapman, Ellin, and Sherif 2015). Crucial in this shift from "low" to "high" culture was the intellectual legitimation of Maus (Chute 2006;Kohli 2012).…”
Section: Comics and National Memory Fieldsmentioning
confidence: 99%
“…Traumatic memory narratives express universal values because they deal with biographical traumatic experiences, focus on victims (juxtaposed with perpetrators), and overcome local cultural boundaries thanks to the media (Levy and Sznaider 2006;Rothberg 2009). The second one concerns the progressive cultural and symbolic legitimation of comics in narrating traumatic pasts (Dauber 2006;Buhle 2007;Chapman, Ellin, and Sherif 2015). Crucial in this shift from "low" to "high" culture was the intellectual legitimation of Maus (Chute 2006;Kohli 2012).…”
Section: Comics and National Memory Fieldsmentioning
confidence: 99%
“…Algo que quedó confirmado con el éxito que tuvo el historiador norteamericano Howard Zinn con la adaptaciónjunto a fragmentos de su autobiografía-de su influyente libro A People's History of the United States (1980) al formato novela gráfica, empresa para la que contó con la colaboración de Mike Konopacki y Paul Buhle (2008). La relación entre cómic e Historia, señalada por el propio Buhle (2007), resulta por ende algo cada vez más aceptado por la academia, que poco a poco va perdiendo sus prejuicios. Una buena muestra de ello ha sido la reciente decisión de la American Historical Review de ampliar sus miras e incluir también reseñas sobre cómics de corte histórico.…”
Section: Reseña Crítica |unclassified
“…When we first began exploring CBR in our individual scholarship, most examples of published CBR came from the realm of graphic history (Buhle, 2007). These included first-person accounts and oral histories (Okubo, 1946; Satrapi, 2007; Spiegelman, 1986), as well as comics based on more traditional archival research (Buhle and Schulman, 2005) and adaptations of existing historical texts (Zinn et al, 2008).…”
Section: An Emerging Field Of Practicementioning
confidence: 99%