Hibriditas Budaya Jawa dan Budaya Barat di Museum Keraton Yogyakarta

Sugiyanto, Bagus Ajy Waskyto

doi:10.56873/jimk.v6i1.107

Cited by 3 publications

(3 citation statements)

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“…Museum Keraton Yogyakarta, merupakan pusat kebudayaan dan sejarah di Yogyakarta, memiliki karakteristik yang unik. Keraton Yogyakarta adalah istana tradisional yang menjadi tempat tinggal Sultan Yogyakarta dan keluarganya (Ajy & Sugiyanto, 2021; Istilah-istilah sesaji ritual jamasan kereta kanjeng nyai jimat di museum kereta keraton yogyakarta | Jurnal Sastra Indonesia, n.d.; Studi et al, 2013). Lingkungan sekitar Keraton memiliki pengaruh budaya tradisional yang kuat, yang juga mempengaruhi kegiatan ekonomi di wilayah tersebut (Ajy & Sugiyanto, 2021;Prabasmara et al, 2020).…”

Section: Pendahuluanunclassified

Akulturasi Budaya pada Corak Bangsal Mandalasana dalam Objek Wisata Keraton Yogyakarta

MR Santosa,

Frisiska,

Farrah

et al. 2024

bce

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There is a separate building that has a contrasting cultural style. Bangsal Mandalasana is a building in the form of a gazebo which functioned as a gathering place for musicians at that time. What is unique is that the styles of musical instruments implemented in this ward are not just traditional Indonesian music, but are musical instruments originating from the West and the Middle East. In fact, some of these instruments are modern musical instruments. It can be seen that there is a common thread between Western culture which has been merged outside the traditional culture of Hinduism, Buddhism and Islam.The aim of this research is to analyze how decorative patterns in cultural acculturation occur in the Mandalasana Ward building. So that we can draw a historical thread of the fusion of western and Javanese culture which became an accentuation of culture within the Ngayogyakarta palace environment.This research uses qualitative methods by producing descriptive data with a study focus on the Yogyakarta Palace tourist attraction by dissecting the cultural acculturation found in Bangsal Mandalasana ornaments.Ward Mandasana has an octagonal shape with an octagonal pillar structure which is also taken from the shape of gazebos in Europe in general. The base is made flat and uses a fence that is integrated with supporting pillars, which is different from other ward shapes in the palace environment. The ornamental style in this ward uses an unusual material, namely stained glass, where stained glass was used in building culture in the West starting in theGothic which was used to decorate the Cathedral windows in the 12th century. The motifs presented are also Western musical instruments which indicate the existence of Western concepts in Bangsal Mandalasana. Keywords: Cultural Acculturation, Bangsal Mandalasana Styles, Cultural Bangsal Mandalasana Styles

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Section: Pendahuluanunclassified

Akulturasi Budaya pada Corak Bangsal Mandalasana dalam Objek Wisata Keraton Yogyakarta

MR Santosa,

Frisiska,

Farrah

et al. 2024

bce

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“…Kebudayaan sungai ini mewadahi segala aspek ekonomi, sosial, dan tidak tertinggal juga kehidupan politik masyarakat suku Banjar. Oleh karena itu, sungai berfungsi sebagai pembentuk pola hubungan interaksi sosial, perdagangan, dan jaringan pemerintahan pada sebagian besar masyarakat di Kalimantan Selatan (Sugiyanto, 2005). Kebudayaan memiliki 7 unsur yaitu bahasa, pengetahuan, masyarakat, teknologi, ekonomi, religi, dan kesenian (Kluckhohn, 1953).…”

Section: Gambar 1 Peta Kota Banjarmasin Tahun 2009unclassified

Museum Sungai Di Banjarmasin

Anwari,

Heldiansyah

2021

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The river museum in Banjarmasin is a place to capture the existence of rivers in Banjarmasin. The existence of rivers decrease in function and existence until it turns into a dead river. The river's existence is influenced by river culture. River culture is formed by people whose lives depend on rivers. Therefore, to preserve the information related to this matter, efforts are made by preserve and communicate it to the public by create a river museum.To create a river museum, the point of view concept is used which tells the museum narrative based on time, place, and actor. This concept is supported by the application of the sense of place method. Thus, river museums can make visitors educated and empathize with rivers in Banjarmasin.

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“…In the third room, the painter mixes elements of Balinese painting with modern painting through the practice of hybridity and glocalization. According to Bhaba in Sugiyanto, hybridity is a new identity built by the colonized to fight against the invaders [11]. Glocalization according to Baker in Ardini is a term used to express global products of local things and localization of global things [12].…”

Section: Introductionmentioning

confidence: 99%

Pitamaha Painting Arts: A Cross Between Balinese Painting and Modern Painting

Supir¹

2022

Proceedings of the 2nd International Conference on Languages and Arts Across Cultures (ICLAAC 2022)

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Pre-colonial Balinese art is dominated by wayang themes which contain symbolic meanings to be dedicated to the interests of Hinduism. After the Dutch colonial rule over Bali, the theme of wayang was replaced with the theme of everyday life with the aim of enjoying its visual beauty. Even though it has different principles from pre-colonial painting, Pitamaha painter accepts modern painting. The purpose of this study is to find 1) the power practice behind the acceptance of modern painting; 2) a cross between Balinese painting and modern painting. This study used a qualitative descriptive method and was conducted in the Ubud area. The results of the study show that 1) the acceptance of modern painting is motivated by the practice of teacher power over the Pitamaha painter of the Ubud group and the practice of consumer power in determining the theme of the painting. 2) the cross between elements of Balinese painting and modern painting produces hybrid art and localization of modern painting. The crossing of the two elements of painting shows that Balinese painting which was originally static and obedient to traditional standards has then developed into dynamic painting.

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Hibriditas Budaya Jawa dan Budaya Barat di Museum Keraton Yogyakarta

Cited by 3 publications

References 0 publications

Akulturasi Budaya pada Corak Bangsal Mandalasana dalam Objek Wisata Keraton Yogyakarta

Akulturasi Budaya pada Corak Bangsal Mandalasana dalam Objek Wisata Keraton Yogyakarta

Museum Sungai Di Banjarmasin

Pitamaha Painting Arts: A Cross Between Balinese Painting and Modern Painting

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