Hermeneutics and Music Criticism

Savage, Roger

doi:10.4324/9780203875155

Cited by 2 publications

(2 citation statements)

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“…The presence of a desire to interpret the author's idea excludes the possibility of one's own interpretation, as a result of which the range of semantic load of a musical work is significantly narrowed. In the same context of figurative and semantic concepts, it is advisable to turn to the hermeneutics of musical style as a method of 5 Historical Hermeneutics of Musical Styles "decoding" social values (Savage, 2009). The combination of hermeneutics and criticism of musical style can explain the influence of the emotional aspect of a piece of music on the individual and their attitude to the environment.…”

Section: Resultsmentioning

confidence: 99%

Historical Hermeneutics of Musical Styles

Маркова¹,

Androsova²,

Muravska³

et al. 2021

rupkatha

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The relevance of the study of the historical hermeneutics of musical styles is determined by the need to find a philosophical basis for changing the cultural paradigm and the desire to return classical canons to musical art in particular. The aim of the work is to analyse the characteristic features of the interpretation of musical styles in accordance with the principles of historical hermeneutics on the example of jazz music. The research was conducted in two stages on the basis of interdisciplinary, systematic and hermeneutical approaches using general scientific methods of cognition: analysis, synthesis, systematization, comparison and ascent from the abstract to the concrete. In the process of scientific research, the views of researchers on the interpretation and understanding of hermeneutics in the context of musical art were considered; a general characteristic of the hermeneutics of musical styles in accordance with historical and philosophical prerequisites was given; the main elements of the theoretical model of musical philosophy of interpretation, which include critical interpretation, the purpose of interpretation, compatibility with description and limitation by requirements were described; the author’s concept of interpretation of musical styles, formed at three levels, were proposed; the characteristics of the hermeneutics of jazz style, in particular the presence of musical improvisational discourse, historical duality, transcendentality of content and form, advertising integration are determined; the article summarizes the specifics of jazz in accordance with two components: the European harmonic system and the fret principles of blues intonation, which made it possible to identify and generalize the theory of interpretation of jazz in the historical and philosophical paradigm. The practical value of scientific work consists in providing a comprehensive hermeneutical base of jazz style in order to further improve the practical application of musical style by teachers, students, musicians and specialists in the field of musical art.

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Section: Resultsmentioning

confidence: 99%

Historical Hermeneutics of Musical Styles

Маркова¹,

Androsova²,

Muravska³

et al. 2021

rupkatha

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“…Eserin ifade ettiği ruh hali veya duyguyu örneklemesi, tropolojik bir metafor teorisini doğrular. Buna göre, bir eserin gerçeklikten uzaklığının, gerçekliğin yeniden betimlenmesinin koşulu olduğu paradoksunun, eserin ifade gücünü anlamak için vazgeçilmez olduğu ortaya çıkacaktır (Savage, 2010).…”

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Opera Sanati Ve Hermeneuti̇k- Il Postino Örneği̇

Aktuğ¹

2021

ASOS

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The work named Il Postino, which was adapted from the novel Ardiente paciencia by the Chilean writer Antonio Skármeta, first to film and then to the opera, displays the need for reading or reexamining our world, our interpretation strategies, the ecological, environmental context and conditions of language through text and music (Randall, 2017). In relation to the linguistic complexity of the narrative, the text exposes us substantially to the cognitive awareness of our interpretive activity. The inquiries of the main character, become temporally and historically clarified through linguistic terms and musical themes. For the art of opera, hermeneutics serves as a science that helps explain the semantic concepts of the musical composition and the text, as well as conveying the perspective of the composer to the audience. In his manner of articulation in words and music, the composer and librettist of the opera, Daniel Catán, emphasizes Neruda's poems more than the novel or the film. The subject of this study, the opera Il Postino, is examined in accordance with the discourses on hermeneutics by philosophers such as Wilhelm Dilthey, Martin Heidegger, and Hans-Georg Gadamer.

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Hermeneutics and Music Criticism

Cited by 2 publications

References 0 publications

Historical Hermeneutics of Musical Styles

Historical Hermeneutics of Musical Styles

Opera Sanati Ve Hermeneuti̇k- Il Postino Örneği̇

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