2018
DOI: 10.1177/1742766518759795
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‘Helping our beneficiaries tell their own stories?’ International aid agencies and the politics of voice within news production

Abstract: International aid agencies often claim to give the poor and disenfranchised a voice by helping them tell their stories to others located far away. But how do aid workers conceptualize and operationalize a politics of voice within media production processes? How do ideas about giving voice to others shape aid agencies’ engagement with mainstream news organizations? This article explores two contrasting news production case studies which took place in South Sudan and Mali, involving Save the Children, Christian … Show more

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Cited by 11 publications
(8 citation statements)
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“…For every moral mistake committed by media producers who inadvertently harm the aid beneficiaries who are subject (or object?) of their representation (e.g., Wright, 2016), there are also achievements to appreciate: from the hospitable island dwellers in Chios openly welcoming refugees (Chouliaraki and Georgiou, 2017) to the concerned YouTube influencers uploading "amateur fundraising" videos on behalf of faraway victims of calamity (Pantti, 2015).…”
Section: Humanitarian Communication and Its Foundational Questionsmentioning
confidence: 99%
See 1 more Smart Citation
“…For every moral mistake committed by media producers who inadvertently harm the aid beneficiaries who are subject (or object?) of their representation (e.g., Wright, 2016), there are also achievements to appreciate: from the hospitable island dwellers in Chios openly welcoming refugees (Chouliaraki and Georgiou, 2017) to the concerned YouTube influencers uploading "amateur fundraising" videos on behalf of faraway victims of calamity (Pantti, 2015).…”
Section: Humanitarian Communication and Its Foundational Questionsmentioning
confidence: 99%
“…Ethnography in humanitarian communication can also produce definitive judgments about media harm and symbolic violence. Kate Wright’s (2016) deep dive into the collaborative projects between aid agencies and news organizations used interviews and document analysis to carefully piece together some of the scandalous choices that went behind the news coverage of humanitarian atrocity. Sharply focusing on the uses (and abuses) of aid agencies’ engagements with interpreters who are fluent in the local language and act as cultural intermediaries, Wright demonstrated producers’ haste and carelessness that led to clear violations of company policy around informed consent and protection.…”
Section: From Principles To Process: Production Studies Of Humanitarimentioning
confidence: 99%
“…Fenton (2010) argues, for example, that aid agencies' commitment to newsmaking is undermining their ability to provide alternative perspectives and worldviews, so they simply "clone" the news, rather than radically challenging news norms. Recent work has provided nuanced analysis of how these tensions play out in different contests, with implications for the logic and practices of both the humanitarian field and the journalistic field (McPherson, 2015;Moon, 2018;Powers, 2018;Wright, 2018).…”
Section: Who Makes and Funds Humanitarian Journalism?mentioning
confidence: 99%
“…How should organisations budget their limited human and financial resources towards translation? The importance of addressing such challenges ethically may be missed if translation is viewed “as a largely logistical issue, akin to booking flights, travel permits or a driver” (Wright, 2018, p. 97).…”
Section: Introductionmentioning
confidence: 99%