Abstract:This article examines “Hello, War Brides,” a series of short, auto/biographical essays authored by two Japanese war brides from the state of Washington. I view this text as a product of collaborative “memory work.” Based on a textual analysis of its narratives and form, I argue that this work represents individual war brides' memories as counter-memories that provide a new understanding of the experiences of Japanese war brides. Such an understanding could be thought of as an alternative to the monolithic and … Show more
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