Though this is a large book, it can be approached easily in smallish pieces. The Table of Contents to this book sets out its design (references in bold type indicate pages in this book; references to authors with dates in parentheses can be found in the bibliography at the end of this book or in the supplemental listing at the end of the Introduction): the opening pages, 11-305, contain 10 essays on the most discussed aspects of the ancient novel (e.g., origins, readership, gender, theory); 309-456 discuss each of the 5 Greek authors, his novel, plot summary and special problems like dating, sources, and intent; 457-551 present similar types of discussions of the three Roman novels; 555-683 contain 7 studies of complete works and numerous fragments in Greek and Latin which are novel-like (fringe novels), which probably should be classified as novels but which also fall into various sub-genres of the novel, works which might be seen as imitating the novel, developing toward the novel or running parallel to it; 685-799 interpret the reception of the ancient novel in early Christian andJewish narratives, the Byzantine novels, and in modern literature; 803-814 layout in a series of 12 maps the journeys of characters in the ancient novels, epics, early Christian writings (St. Paul) and by juxtapositioning them invite the reader to compare journeys; 815-865 contain a comprehensive bibliography arranged by author; 865-876 are an index of names, themes and crucial points. This book is a good place to begin a study of the ancient novel, to examine essential matters, to review the novels themselves, and to become acquainted with a wide range of issues and problems concerning the ancient novel and its relevance to the ancient world and to modern literature. For the ancient novel surely spills over