“He has music in him”: Musical moments, dance and corporeality in Joker (2019)
Jessica Shine
Abstract:Danijela Kulezic-Wilson has discussed at length how the use of music in cinema adds to its corporeality and both fleshes out and gives life to otherwise spectral images. Todd Philips’ Joker (2019) both narratively and aesthetically leverages music to embody Arthur Fleck’s (Joaquin Pheonix) transformation from outcast to popular villain. In a Q&A with The Academy, Philips described the character of Fleck as full of grace and someone who “has music in him”, and it is Fleck’s performative interaction with the… Show more
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