2016
DOI: 10.1093/beheco/arw063
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Harsh vocal elements affect counter-singing dynamics in male rock hyrax

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Cited by 15 publications
(10 citation statements)
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“…Empirical examples are the “snarr” elements in male water pipit song ( Anthus spinoletta )22 and the “rattle” elements in male barn swallow song ( Hirundo rustica )21, which reflect dominance and are produced mostly in intra-sexual competitive situations. Similarly, in rock hyrax ( Procavia capensis ), distinct song elements, such as “chucks” and “snorts”, are linked to different information, such as age and social status, and males adjust the presence or rate of these elements during territorial displays3537.…”
mentioning
confidence: 99%
“…Empirical examples are the “snarr” elements in male water pipit song ( Anthus spinoletta )22 and the “rattle” elements in male barn swallow song ( Hirundo rustica )21, which reflect dominance and are produced mostly in intra-sexual competitive situations. Similarly, in rock hyrax ( Procavia capensis ), distinct song elements, such as “chucks” and “snorts”, are linked to different information, such as age and social status, and males adjust the presence or rate of these elements during territorial displays3537.…”
mentioning
confidence: 99%
“…Guianan red howlers increased the amount of deterministic chaos (as measured by the harmonic-to-noise ratio) during the day (Table 4). This acoustic characteristic leads to harsher calls that are more intimidating than tonal calls [6,57,58]. Across many mammals, vocalizations with more chaos have been shown either to elicit a reluctance to escalate a contest with a threatening male [59] or to make them respond more strongly to a conspecific [60].…”
Section: Discussionmentioning
confidence: 99%
“…) and as sequences of the specific elements that comprise them (Koren and Geffen , ; Demartsev et al. ). Both approaches have their shortcomings.…”
Section: Methodsmentioning
confidence: 99%
“…The songs are composed of three distinguishable vocal elements that are arranged in up to 90 singing bouts, separated by a silent interval of ß1 s (Demartsev et al 2014). Previous analyses have considered songs both as single units (Ilany et al 2013;Demartsev et al 2017) and as sequences of the specific elements that comprise them Geffen 2009, 2011;Demartsev et al 2016a). Both approaches have their shortcomings.…”
Section: Acoustic Analysismentioning
confidence: 99%