“…Psychoanalysts were quick to note not only the obvious phallic imagery of all those snakes and wands (and even of the phoenix; Rosegrant, 2009), but also the Oedipal overtones of a story that revolved around a young boy whose mother protected him with her love even as his father was killed (Noel-Smith, 2001). Thus, they argued, we can all identify with this fantasy, even while satisfying the reality principle in our recognition that it is, after all, only a story (Noel-Smith, 2001). The series follows the traditional fairy tale formula for the unlikely hero, but casts old ideas into new forms as Boggarts take advantage of unconscious fears and Dementors break through the barriers of repression, haunting our consciousness with our most awful memories (Noctor, 2006).…”